Introit




Mark Adamo Gospel of Mary Magdalene

The author and annotator Thomas May, whose 2002 article (for andante.com)  on Little Women and other new operas made a gracious and lucid argument for that score, has written for the November issue of San Francisco Opera’s magazine a preview piece (.pdf)  on The Gospel of Mary Magdalene.  Tom is the author of Decoding Wagner: An Invitation to His World of Music-Drama, and The John Adams Reader: Essential Writings on an American Composer; his article makes as eloquent an introduction to the world of the piece as one could wish.  (Portraits by the peerless Henry Fair.)

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