Myrrhine (Jennifer Rivera) tantalizes Kinesias (James Bobick) in Act Two, Scene Two of Lysistrata, or The Nude Goddess; New York City Opera gave the Manhattan première in March 2006. Image, Carol Rosegg.
Myrrhine (Jennifer Rivera) tantalizes Kinesias (James Bobick) in Act Two, Scene Two of Lysistrata, or The Nude Goddess; New York City Opera gave the Manhattan première in March 2006. Image, Carol Rosegg.
Kleonike (Myrna Paris) reads some distressing news as Myrrhine (Jennifer Rivera,)  Sappho (Jennifer Roderer,) and Xanthe (Amanda Borst) look on in the Prologos of Lysistrata, or The Nude Goddess; New York City Opera, March 2006.  Image, Carol Rosegg.
Kleonike (Myrna Paris) reads some distressing news as Myrrhine (Jennifer Rivera,) Sappho (Jennifer Roderer,) and Xanthe (Amanda Borst) look on in the Prologos of Lysistrata, or The Nude Goddess; New York City Opera, March 2006. Image, Carol Rosegg.
Nico (Chad Shelton) and Lysia (Emily Pulley) struggle for control in Act One, Scene One of Lysistrata, or The Nude Goddess; New York City Opera, March 2006.  Image, Carol Rosegg.
Nico (Chad Shelton) and Lysia (Emily Pulley) struggle for control in Act One, Scene One of Lysistrata, or The Nude Goddess; New York City Opera, March 2006. Image, Carol Rosegg.

…after Aristophanes’ comic tragedy on love and war, is my newest opera.  Like Little Women, Lysistrata, or The Nude Goddess was commissioned by Houston Grand Opera and introduced there in 2005: that production, directed by Michael Kahn and conducted by Stefan Lano, made its East Coast début at New York City Opera in March of 2006.  I was grateful for Alex Ross’s generous assessment of the world première in The New Yorker, and for Russell Platt’s astute observations in Playbill: the New York production attracted, as well as the mainstream press, the attention of classicists Peter Meineck in Arion and Ralph Hexter in the American Journal of Philology.

Here you’ll find several conversations I’ve had with journalists about the piece, and imagery from the New York production. G. Schirmer can provide the CD, the libretto, and the vocal score; here you’ll find the opera’s technical details; Hal Leonard offers six of the opera’s arias, and beside them I offer samples of the beautiful performances of the first cast.  Peggy Monastra, my stalwart representative at G. Schirmer, knows more.

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