on Lysistrata, or The Nude Goddess
Critical response
from Alex Ross on the world premiére in The New Yorker
from Steve Smith on the closing night in New York in Night after Night and on the opening night
from Russell Platt in Playbill Arts
from Peter Meineck, in Arion
from Ralph Hexter,in The American Journal of Philology
and a précis of the national press
Conversations on Camera
with Frank Oteri for New Music Box
with William M. Hoffman for the CUNY-TV series Conversations
Conversations in Print
with Steve Smith, for Time Out New York
with Kathleen Watt, for USOpera.web
with Charles Ward, for The Houston Chronicle
on Little Women
Critical response
from John Rockwell, for The New York Times
from Thomas May for andante.com
from Daniel Felsenfeld for Playbill Arts
and a précis of the national press
Conversations on Camera
with Frank Oteri for NewMusicBox
with William M. Hoffman for the CUNY-TV series Conversations
Conversations in Print
with Allan Kozinn, for The New York Times
with John Ardoin, for Great Performances
with William V. Madison, for Opera News
on Four Angels
A conversation with Stephen Brooke of The Washington Post
An essay on how it was composed, for NewMusicBox
Responses from Tim Page in The Washington Post...
and from Tim Smith in The Baltimore Sun
on Late Victorians and Alcott Music
Cecelia Porter, in The Washington Post
on Late Victorians
...and on Alcott Music
