Press
on Lysistrata, or The Nude Goddess
Critical response
- from Alex Ross, on the world première in The New Yorker
- from Steve Smith, on the closing night in New York in Night after Night; also on the opening night
- from Russell Platt, in Playbill Arts
- from Peter Meineck, in Arion
- from Ralph Hexter, in The American Journal of Philology
- and a précis of the national press
Conversations on Camera
- with Frank Oteri, for New Music Box
- with William M. Hoffman, for CUNY-TV’s series Conversations
Conversations in Print
- with Kathleen Watt, for USOpera.web
- with Charles Ward,for The Houston Chronicle
on Little Women
Critical response
- from John Rockwell, for The New York Times
- from Thomas May, for andante.com
- from Daniel Felsenfeld, for Playbill Arts
- and a précis of the national press
Conversations on Camera
- with Frank Oteri, for NewMusicBox
- with William M. Hoffman, for CUNY-TV’s series Conversations
Conversations in Print
- with Allan Kozinn, for The New York Times
- with William V. Madison, for Opera News
on Four Angels
- A conversation with Stephen Brooke, for The Washington Post
- An essay on how it was composed, for NewMusicBox
- Responses from Tim Page, in The Washington Post…
- and from Tim Smith, in The Baltimore Sun
on Late Victorians and Alcott Music
from Cecelia Porter, in The Washington Post
- on Late Victorians
- on Alcott Music