Press Feature Components
NPR
Re-Imagining Santa Claus — From Grasping Kid To Avatar Of Generosity
Best known for his acclaimed operatic adaptations of Little Women and Lysistrata, Adamo's latest is Becoming Santa Claus, a family-friendly Christmas work produced by Dallas Opera.
The New Yorker
John Corigliano’s New Opera Reimagines Dionysus as Dracula
In “The Lord of Cries,” the composer has boldly returned to a form that he set aside in the early nineties.
San Francisco Chronicle
New Century Chamber Orchestra addresses the cycle of seasons in a new age
Through a haunting musical dialogue with Vivaldi’s “Four Seasons,” Adamo asks us to consider what it means for something baked so deeply into our evolutionary subconscious to be permanently altered.
Chicago Sun-Times
Chicago Opera Theater goes for the ho-ho-ho notes with new work telling St. Nick’s story in song
‘Becoming Santa Claus’ composer aims to entertain both children and adults, Pixar style.
Violin Channel
NEW MUSIC TUESDAY | Mark Adamo's New Cello Concerto "Last Year"
The piece was world premiered with the New Century Chamber Orchestra and cellist Jeffrey Zeigler
OperaWire
Q & A: Mark Adamo on ‘The Lord of Cries,’ John Corigliano & Santa Fe Opera
Interview about collaborating with John Corgliano, writing the libretto, the premiere of “The Lord of Cries” at the Santa Fe Opera.
Financial Times
John Corigliano and Mark Adamo on writing an opera together: ‘No blood was shed
The composers discuss drawing on Dracula and The Bacchae for The Lord of Cries — and collaborating as a married couple
Pasatiempo
The wild ride of 'The Lord of Cries'
Mark Adamo and John Corigliano sit down with Pasatiempo to discuss the premiere of "The Lord of Cries" at Santa Fe Opera
New Mexico PBS
From Page To Stage: The Creative Forces Behind "The Lord of Cries"
From Page-To-Stage looks at the creative forces involved with bringing to life the Santa Fe Opera’s world premiere of "The Lord of Cries." In this episode, John Corigliano and Mark Adamo reveal their inspiration and creative process.
Re-Imagining Santa Claus — From Grasping Kid To Avatar Of Generosity
Best known for his acclaimed operatic adaptations of Little Women and Lysistrata, Adamo's latest is Becoming Santa Claus, a family-friendly Christmas work produced by Dallas Opera.
John Corigliano’s New Opera Reimagines Dionysus as Dracula
In “The Lord of Cries,” the composer has boldly returned to a form that he set aside in the early nineties.
New Century Chamber Orchestra addresses the cycle of seasons in a new age
Through a haunting musical dialogue with Vivaldi’s “Four Seasons,” Adamo asks us to consider what it means for something baked so deeply into our evolutionary subconscious to be permanently altered.
Chicago Opera Theater goes for the ho-ho-ho notes with new work telling St. Nick’s story in song
‘Becoming Santa Claus’ composer aims to entertain both children and adults, Pixar style.
NEW MUSIC TUESDAY | Mark Adamo's New Cello Concerto "Last Year"
The piece was world premiered with the New Century Chamber Orchestra and cellist Jeffrey Zeigler
Q & A: Mark Adamo on ‘The Lord of Cries,’ John Corigliano & Santa Fe Opera
Interview about collaborating with John Corgliano, writing the libretto, the premiere of “The Lord of Cries” at the Santa Fe Opera.
John Corigliano and Mark Adamo on writing an opera together: ‘No blood was shed
The composers discuss drawing on Dracula and The Bacchae for The Lord of Cries — and collaborating as a married couple
The wild ride of 'The Lord of Cries'
Mark Adamo and John Corigliano sit down with Pasatiempo to discuss the premiere of "The Lord of Cries" at Santa Fe Opera
From Page To Stage: The Creative Forces Behind "The Lord of Cries"
From Page-To-Stage looks at the creative forces involved with bringing to life the Santa Fe Opera’s world premiere of "The Lord of Cries." In this episode, John Corigliano and Mark Adamo reveal their inspiration and creative process.
Re-Imagining Santa Claus — From Grasping Kid To Avatar Of Generosity
Best known for his acclaimed operatic adaptations of Little Women and Lysistrata, Adamo's latest is Becoming Santa Claus, a family-friendly Christmas work produced by Dallas Opera.
John Corigliano’s New Opera Reimagines Dionysus as Dracula
In “The Lord of Cries,” the composer has boldly returned to a form that he set aside in the early nineties.
New Century Chamber Orchestra addresses the cycle of seasons in a new age
Through a haunting musical dialogue with Vivaldi’s “Four Seasons,” Adamo asks us to consider what it means for something baked so deeply into our evolutionary subconscious to be permanently altered.
Chicago Opera Theater goes for the ho-ho-ho notes with new work telling St. Nick’s story in song
‘Becoming Santa Claus’ composer aims to entertain both children and adults, Pixar style.
NEW MUSIC TUESDAY | Mark Adamo's New Cello Concerto "Last Year"
The piece was world premiered with the New Century Chamber Orchestra and cellist Jeffrey Zeigler
Q & A: Mark Adamo on ‘The Lord of Cries,’ John Corigliano & Santa Fe Opera
Interview about collaborating with John Corgliano, writing the libretto, the premiere of “The Lord of Cries” at the Santa Fe Opera.
John Corigliano and Mark Adamo on writing an opera together: ‘No blood was shed
The composers discuss drawing on Dracula and The Bacchae for The Lord of Cries — and collaborating as a married couple
The wild ride of 'The Lord of Cries'
Mark Adamo and John Corigliano sit down with Pasatiempo to discuss the premiere of "The Lord of Cries" at Santa Fe Opera
From Page To Stage: The Creative Forces Behind "The Lord of Cries"
From Page-To-Stage looks at the creative forces involved with bringing to life the Santa Fe Opera’s world premiere of "The Lord of Cries." In this episode, John Corigliano and Mark Adamo reveal their inspiration and creative process.